Review

Actress: Ghettoville

Darren Cunningham’s career as Actress might just be performance art by way of music production.

Review

East India Youth: Total Strife Forever

A debut album that bursts with beauty and boldness that will keep strife away forever.

Review

Oneohtrix Point Never: R Plus Seven

Computer music made emotive and thought provoking.

Review

Laurel Halo: Chance of Rain

It’s not as challenging as some critics have made it out to be, not when Halo’s grilles of beats can so easily ensnare you, body and mind, like how sheets of rain catches a child in awe.

Review

Nils Frahm: Spaces

Both conceptual (in the incorporation of audience and ambient sounds) and not highfalutin (the longest, loudest track is titled ‘For – Peter – Toilet Brushes – More’) it’s neo-classical minimalist musique concrète that’s quite a quiet delight for the senses.

Review

Arcade Fire: Reflektor

Arcade Fire abandoned rock’n’roll for indie dance.

Review

Gesaffelstein: Aleph

Yes, he may have produced Kanye West’s ‘Black Skinhead’ and ‘Send It Up’, but on his own – as the purported dark prince of techno – his debut is an intense introduction to his own take on varied genres of electronic music.

Review

Warpaint: Self-Titled

No sophomore slump here, folks. Warpaint delivers.

Review

Death Grips: Government Plates

Death Grips’ seemingly unrelenting quest to provoke might just make them the most important music act in the independent scene.

Review

Danny Brown: Old

Danny never glorifies being poor and doing crime — this man isn’t selling the Great American Gangster Story perpetuated by the likes of Jay-Z and most NYC rappers.